| RecklessDaughter ( @ 2008-05-13 18:55:00 |
HA
OH REALLY YOU SAY:
Two from Duffy's book "Rapture:"
You
Uninvited, the thought of you stayed too late in my head.
so I went to bed, dreaming you hard, hard, woke with your name,
like tears, soft, salt, on my lips, the sound of its bright syllables
like a charm, like a spell.
Falling in love
is glamorous hell: the crouched, parched heart
like a tiger, ready to kill; a flame’s fierce licks under the skin.
into my life, larger than life, you strolled in.
I hid in my ordinary days, in the long grass of routine,
in my camouflage rooms. You sprawled in my gaze,
staring back from anyone’s face, from the shape of a cloud,
from the pining, earth-struck moon which gapes at me
as I open the bedroom door. The curtains stir. There you are
on the bed, like gift, like a touchable dream.
Syntax
I want to call you thou, the sound
of the shape of the start
of a kiss — like this, thou —
and to say, after, I love,
thou, I love, thou I love, not
I love you.
Because I so do —
as we say now — I want to say
thee, I adore, I adore thee,
and to know in my lips
the syntax of love resides,
and to gaze in thine eyes.
Love’s language starts, stops, starts;
the right words flowing or clotting in the heart
OH REALLY YOU SAY:
Two from Duffy's book "Rapture:"
You
Uninvited, the thought of you stayed too late in my head.
so I went to bed, dreaming you hard, hard, woke with your name,
like tears, soft, salt, on my lips, the sound of its bright syllables
like a charm, like a spell.
Falling in love
is glamorous hell: the crouched, parched heart
like a tiger, ready to kill; a flame’s fierce licks under the skin.
into my life, larger than life, you strolled in.
I hid in my ordinary days, in the long grass of routine,
in my camouflage rooms. You sprawled in my gaze,
staring back from anyone’s face, from the shape of a cloud,
from the pining, earth-struck moon which gapes at me
as I open the bedroom door. The curtains stir. There you are
on the bed, like gift, like a touchable dream.
Syntax
I want to call you thou, the sound
of the shape of the start
of a kiss — like this, thou —
and to say, after, I love,
thou, I love, thou I love, not
I love you.
Because I so do —
as we say now — I want to say
thee, I adore, I adore thee,
and to know in my lips
the syntax of love resides,
and to gaze in thine eyes.
Love’s language starts, stops, starts;
the right words flowing or clotting in the heart